The nominees for Best
Script at the 6th Singapore Short Film Awards are The Elephant Cannot
Fly, Moving Out Notice, Stranger by Night, The Body and November.
The Body (picture above)
A young troublemaker seeks help from a man with experience after he kills a prostitute. In the efforts to dispose of her body, the elder cooly imparts advice to the more frenzied murderer on dismembering the corpse. His confident and callous exterior never wanes, though his patience trickles away through the night while the young man grouses and gets increasingly skittish. The drama intensifies when the sound of a vehicle approaches while the two have a dispute beside a deserted forest.
The Elephant Cannot Fly
Tackling a real and heavy subject, The Elephant Cannot Fly is
stunningly poignant with its slow-paced opening and unsettling denouement.
Mingling the pain of adulthood with the innocence of childhood, the nuances of
this short make it for a sincere portrayal of a mother’s palpable sadness as it
meets the purity of her son.
Moving Out Notice
Employing the uncharacteristic premise of communicating through
notes, an obstinate mother avoids speaking to her daughter, Wei. As she covers
every surface with post-it notes that dictate household chores and scribbles
down replies to hold up during arguments, Wei gets increasingly exasperated at
her mother’s stubborn unwillingness to talk. The cantankerous duo squabble
through daily routines as this dynamic comedy brings to life one of a single
parent’s greatest fears — when her only child finally grows up and wishes to
leave the nest — and the looming ghosts of her past they dig up.
Stranger by Night

November

Elephant
Cannot Fly stands out as the winner because the story is the most compelling in
spite of its duration. In dealing with human nature and how individuals react
to emotional pain and despondence raised universal questions that everyone
would have pondered over at some point of their lives. Whatever the cause of
the pain, the short is a testament to how heavy the weight of sadness is and
the lengths one would go to to end that pain, and even consider the world far
too tainted for someone they love to want to let them undergo those same
emotions. It is also a nod to the issue of mental instability which most
skitter around and cannot encapsulate with such ease, despite the lack of
actions or words spoken - which makes this film even stronger.
Review
by Chris Yeo