Thursday, September 2, 2010

What is Your Worth? by Matthias Ortmann

The commonly held belief whereby “you are only as good as your last film”, or piece of work or project, is to be questioned. In fact, it is the one truism the artist has to not only rid but to actively oppose. As a slogan for self-exhortation it might work. But where does it actually come from. What paradigm does it enshrine in the public conscience? These implicit notions have to be refuted as consumerist thinking. The output quota needs to be maintained or raised in any totalitarian system like that of mass production and capacity utilization – but in art? If the purpose be anything other, or more, than self-reproduction bent on increase, then we have to be free in our minds to resort to alternative approaches. What could be more detrimental to experimentation and assured audacity based on the knowledge of self than this blind rush? Artists need to resist, they ought to be in the way of any current that is timely but not enlightened.

Man is as good as he can be. Self-respecting individuals know that. They know that an endless reservoir of goodness resides within their core being and the capacity for improvement allows for errors and the necessary detour as well. It is actually provided for and our learning is based on it; it depends on it. Not every luxury is useless, but art is; and that’s where its true value comes from. That’s why it is necessary. Consumption, exploitation, management of resources and the flow of capital – they are not all that is relevant. These may shape the world but they are not human qualities but answer to needs and imperatives we better question in time lest our lives be dictated by the regime they impose. Terror is a mental condition. Cultural health is a common good but it is not in itself democratic. For it to be accessible to all and to serve the societal and personal good at the same time, it must never be serviceable to power. The artist, then, is hard to govern, and he should be. It is in his nature to be subversive.

So, are you really only “as good as your last project”? Or your next? Are you that easily measured, defined and valued? Are you seriously asking for a price tag? If you invest yourself fully, your whole heart and being for all you are worth, then you can resist! At any time, under any conditions, no matter how oppressive they become. Then you will learn what you are made of, how “good” you really are. History knows no heroes, only courage.

Based in Berlin, Mathias Ortmann writes profoundly and intensively about Singapore films. Many of his writings can be found on the Sinema website. This thought piece by Mathias is written exclusively for SINdie.

1 cent worth:

Anonymous said...

My personal experience doing film

I started off with nothing(Totally nothing,a total solid true blue Greenhorn).I started off my 1st work,and it's commissioned work...That was 17.

People says that my 1st film looks like a chronicle of my 1st phrase of my childhood...Yes that is...Some says it's Touching...but the first time when I seen it.I feel that my 1st film is a total flop.
I totally hate it...to the core...

From then on I started to pursuit my studies in my school...Now into my second year,I even took the risk as a First year student to do a corporate video,reason behind is to experience how different can it be doing a corporate video and a film.

Frankly speaking after comparing my corporate video and my 1st work,I feel that I am getting slightly better.Client even told me that I am doing something unexpectedly brand new...it's a little something like the old style of corporate video meets the new style...Something serious,but at least near to the heart of everyone.I felt the sense of improvement when I am done with that.

And I am back into films,this time another challenge...low budget film and I am mentoring a group of 30 secondary 4 students.

Remembering how I spent the number of weeks to follow up on this project and crash course them may not help.But if you believe you can make it better,that's it...True enough,I managed to get another sound engineer,a friend of mine,to work on the film with me(She is also another 1st timer in that position)
The only fault to perfection is the audio being recorded on the live setting...it could have been better if less echoey...After a few feedbacks received from the audience.

I think that there are times where people will rate your films in terms of comparing to your past works.

As a filmmaker,every film you produce,every film you create is just like a child of yours,but it's only the matter of how perfect can it be at the very stage of your life.It's OK to have a slight drop of standard.It's part of your learning...Learn from there and experiment again...One day you will be able to come out with a perfect technique to tell your story.

It's OK to have them imperfect.